The incredible story of Wolfgang Amadeus Mozart, told by his peer and secret rival Antonio Salieri – now confined to an insane asylum.
Amadeus is the story of two creative geniuses whose overlapping passions forge one of the most interesting and engrossing cinematic rivalries I’ve ever seen – not a result of circumstance or even history, but rather the work of F. Murray Abraham’s Antonio Salieri and Tom Hulce’s Wolfgang Amadeus Mozart. Continue reading “Amadeus”
In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner’s vengeful plans for the same.
Inglourious Basterds has its indulgences. But when Tarantino is described as masturbatory, I argue: this is a man who has loved movies all his life – a passionate authority on 20th century cinema. Countless homages across his entire filmography illustrate a love of film, and a love of sharing it. He’s not masturbating. If anything, he’s hosting an orgy, and we’re all invited. Continue reading “Inglourious Basterds”