To describe a film as “formulaic” would normally be considered a great insult – but I think The Prestige earns it. The film follows its very own formula, established by Michael Caine in the opening moments: act one is “The Pledge”, in which the magician, or film-maker, shows us something ordinary. The Prestige seems, at first, ordinary. An entertainment-industry rivalry-thriller. But, similar to the tricks within its fiction, The Prestige quickly shows us “The Turn”, and ultimately, “The Prestige”. And we’re left, much like a 19th century crowd at a magic show, reeling. Continue reading “The Prestige”
Two stage magicians engage in competitive one-upmanship in an attempt to create the ultimate stage illusion.