Prisoners

When Keller Dover’s daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will a desperate father go to protect his family?

Despite that synopsis, Prisoners barely has time to establish its whodunnit foundation before screenwriter Aaron Guzikowski pulls the old bait-and-switch. Any hope of finding the girls is dismissed by one character incredibly early on: “No-one took them. Nothing happened. They’re just gone.” And I breathed a sigh of relief, because Prisoners then became quite unlike its crime/mystery peers. Continue reading “Prisoners”