In Nazi-occupied France during World War II, a plan to assassinate Nazi leaders by a group of Jewish U.S. soldiers coincides with a theatre owner’s vengeful plans for the same.
Inglourious Basterds has its indulgences. But when Tarantino is described as masturbatory, I argue: this is a man who has loved movies all his life – a passionate authority on 20th century cinema. Countless homages across his entire filmography illustrate a love of film, and a love of sharing it. He’s not masturbating. If anything, he’s hosting an orgy, and we’re all invited. Continue reading “Inglourious Basterds”
In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
Knocking Schindler’s List from the top spot in the category, “Fantastic Films I Fucking Hate” is 12 Years a Slave. Before I’ve even put the film in my DVD player, it’s reminding me via an insert signed by director Steve McQueen that 21 million people are still in slavery today. Combined with the real-world racial tensions in certain areas of the United States, plus that whole Confederate flag thing that I can’t weigh in on because of my being English and out of touch, 12 Years a Slave is all the more poignant. Continue reading “12 Years a Slave”