To power their city, the monsters of Monstropolis scare children so that they scream. But when a “toxic” child gets through, two monsters realise things may not be what they seem.
In 2001, when I was nine, I’d already been writing stories for fun for as long as I’d been able. But Monsters, Inc. and Pixar’s wonderful approach to storytelling proved to be one of my earliest wake-up calls: I needed to do something creative with my life, and I needed to tell stories. Continue reading “Monsters, Inc.”
In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.
I was quite surprised to see WALL-E in the Top 250, let alone at number 62. With no idea what the film was about beyond its gimmick, I was naturally apprehensive. How would Pixar drag out a film with no dialogue into ninety-something minutes? While WALL-E relies heavily on physical comedy, it’s actually also its most beneficial element – there’s no unnecessary weight, and the story, like its characters, is always moving. Continue reading “WALL-E”
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it’s up to Woody to convince the other toys that they weren’t abandoned and to return home.
Sometimes, I think to myself, “Man, I wish I had been a kid when _________ came out.” That could be a film, TV show, book, video game… Whatever. But then I realise, I was a kid when Toy Story came out, and I was (almost) an adult when Toy Story 3 came out. I grew up with one of the best animated trilogies of all time, and it grew up with me. Continue reading “Toy Story 3”